Showing posts with label Darren Aronofsky. Show all posts
Showing posts with label Darren Aronofsky. Show all posts
Tuesday
A Changing of the Guard
A growing trend of the last several awards seasons has been the increasing amount of recognition for new-school filmmakers such as David Fincher, Christopher Nolan, Danny Boyle, P.T. Anderson, Quentin Tarantino, Wes Anderson, David O. Russell, Darren Aronofsky, and others. All of these guys have been directing films for at least a decade, and a few of them are approaching twenty years of service in Hollywood, so I hesitate to refer to them as new-school, but it's certainly something of a new era in the grand scheme of things.
David Fincher's breakthrough film was 1995's Seven, and he followed that up four years later with Fight Club. Both films were received warmly by moviegoers and critics, but neither were nominated for any major awards. Skip ahead to 2011, and Fincher already has one Oscar nomination for his directorial work in 2008's The Curious Case of Benjamin Button. His new film, The Social Network, has been racking up all kinds of awards and nominations over the last month or two. To say that it's the frontrunner for Best Picture at the Oscars this year would be like saying that Charlie Sheen loves hanging with pornstars and doing coke... it's quite obvious.
Directors such as Danny Boyle, Chris Nolan and Tarantino have also been enjoying mainstream success over the last few years. Boyle dominated the Oscars in 2009 with Slumdog Millionaire, and Tarantino got a well-deserved directorial nomination for Inglorious Basterds last year. Chris Nolan pretty much single-handedly caused the AMPAS to expand their best picture field from five to ten films last year, as an overwhelming amount of The Dark Knight supporters voiced their dissent over the film's 2009 Oscar snub. Nolan did score a DGA nomination in 2009, however.
Monday
Directors Guild Nominees: 2011
This morning, the Directors Guild of America (DGA) announced their five nominees for Outstanding Directorial Achievement in Feature Film for 2010. For those who aren't aware, the DGA is a film and television labor union specializing in the interest of directors in the United States motion picture industry. This group is comprised of thousands of directors working in the film and television industry, including many big-name Hollywood directors and an overwhelming abundance of commercial & television directors. The DGA has been around since 1936, and this year marks the 75th anniversary of their annual awards ceremony.
To put this into some perspective, the DGA nominees are regarded by most Oscar pundits to be the biggest indicator of who and what films the AMPAS (Academy of Motion Picture Arts/Sciences, or simply Oscar voters) will recognize in the fields of Best Picture and Best Achievement in Direction. Historically, the AMPAS tends to mimic the DGA in their selections more so than any other guild, critics group, association, etc. In fact, over the years, DGA award winners have lined up with AMPAS directorial winners AND best picture winners at an astounding percentage (that of which I can't recall specifically, but i'm fairly positive that it's at least over 75%).
Both the DGA and AMPAS are comprised of industry professionals, though unlike the AMPAS, the DGA does not recieve DVD screeners from studios and distributors. This makes it a little less likely for small indie films to be recognized by the DGA, as voters might not get a chance to catch some of those films in theaters due to inadequate distribution.
More after the jump...
To put this into some perspective, the DGA nominees are regarded by most Oscar pundits to be the biggest indicator of who and what films the AMPAS (Academy of Motion Picture Arts/Sciences, or simply Oscar voters) will recognize in the fields of Best Picture and Best Achievement in Direction. Historically, the AMPAS tends to mimic the DGA in their selections more so than any other guild, critics group, association, etc. In fact, over the years, DGA award winners have lined up with AMPAS directorial winners AND best picture winners at an astounding percentage (that of which I can't recall specifically, but i'm fairly positive that it's at least over 75%).
Both the DGA and AMPAS are comprised of industry professionals, though unlike the AMPAS, the DGA does not recieve DVD screeners from studios and distributors. This makes it a little less likely for small indie films to be recognized by the DGA, as voters might not get a chance to catch some of those films in theaters due to inadequate distribution.
More after the jump...
Subscribe to:
Posts (Atom)
