Showing posts with label Oscars. Show all posts
Showing posts with label Oscars. Show all posts
Sunday
DGA Winner And New Oscar Frontrunner: 'The King's Speech'
Yes, Tom Hooper wins the coveted DGA award for Outstanding Directorial Achievement in Feature Film for 2010. This pretty much signifies that The King's Speech is now the film to beat at the Oscars, as DGA winners have also taken Best Director all but six times since the first DGA awarding in 1948. The film also took the top PGA prize, which, along with the DGA win, probably indicates a Best Picture/Best Director sweep. Is it game, set & match yet? Not necessarily, but it's getting close. The Social Network still has a shot, but ultimately it comes down to this: A Gen-Y film going up against crowd-pleasing British prestige -- the latter of which fits right in with the Academy's tastes. They're old and sentimental and are desensitized to the smell of innovation. How's that for a generalization?
Just two weeks ago, it seemed as if The Social Network was destined for greatness at the Oscars. It dominated the Critics' Choice Awards and Golden Globes on the same weekend, and was also the clear favorite among most critic groups. But the Academy is not comprised of critics, and the HFPA has lost much of its credibility, so all of these wins are impressive, but certainly not the most telling.
At this point in the Oscar race, there are three things that are most indicative of what film will win Best Picture: PGA results, DGA results, and the number of Oscar nominations a film receives. The King's Speech won the DGA and PGA awards, and leads the pack with twelve nominations -- four more than The Social Network. It's all but over.
Monday
Oscar Talk: Final Predictions, PGA Implications, My Wish List & Preferential Vote Tallying
The Producers Guild of America (PGA) awarded The King's Speech over The Social Network last week, leaving a glimmer of hope for Firth, Hooper, the Weinsteins & Co., but probably not enough to start predicting a Best Picture spoiler... yet. A DGA (Directors Guild of America) upset would be a much more reassuring victory for The King's Speech, but the small bit of momentum it carries is probably too little, too late. It is interesting, however, that the PGA awarded The King's Speech, because I also feel that The Fighter is likely to win the SAG (Screen Actors Guild) Best Ensemble award, which carries significance in its own right. One would think that The Social Network's dominance would be reflected in a sweep of the major guilds, but that doesn't seem to be happening. The DGA winner will be announced on Saturday, January 29. The Screen Actors Guild Awards will air on Sunday, January 30, and I believe you can catch that on TBS.
Oscar nominations are set to be announced tomorrow morning at 5:30 AM PT (8:30 AM ET). There will surely be a few snubs and surprises, as there always are, but I've got a feeling that consensus thinking is really going to leave its mark this year. The build-up towards nominations is probably as exciting as it gets for awards season, as there's always that glimmer of hope for movies that you'd really like to see make the cut.
Here's a list of some underdogs that I'd like to see grab a surprise nomination tomorrow morning...
- 127 Hour's Danny Boyle for Best Director
- The Ghost Writer for Best Picture
- Biutiful's Javier Bardem for Best Actor
- Shutter Island's Leonardo Dicaprio for Best Actor
- Easy A's Emma Stone for Best Actress
- Conviction's Sam Rockwell for Best Supporting Actor
- The Ghost Writer for Best Adapted Screenplay
- Greenberg for Best Original Screenplay
- Winter's Bone for Cinematography
Wednesday
BAFTA Award Nominees 2011: Has 'Social Network' Finally Met Its Match?
Photo: Indie Wire
The British Academy of Film and Television Arts (or simply BAFTA) have announced the nominees for their annual awards ceremony, with The King's Speech leading the way in nominations -- 14 of them, to be exact.
The big question here is whether The Social Network can continue its dominance on British turf, as The King's Speech seems tailored to take home the top awards here. We shall see.
BAFTA announces its winners on Sunday, February 13.
Breakdown of major categories after the jump...
The British Academy of Film and Television Arts (or simply BAFTA) have announced the nominees for their annual awards ceremony, with The King's Speech leading the way in nominations -- 14 of them, to be exact.
The big question here is whether The Social Network can continue its dominance on British turf, as The King's Speech seems tailored to take home the top awards here. We shall see.
BAFTA announces its winners on Sunday, February 13.
Breakdown of major categories after the jump...
Monday
Post-Golden Globes & Critics' Choice Oscar Predictions
Photo: Film Linc
The Social Network pretty much cleaned house this weekend at the Critics' Choice Awards and Golden Globes. It's getting to be a little absurd, actually, as this film has dominated nearly every substantial awards ceremony thus far. Have voters been succumbing to groupthink? Or is the film just simply that good? I would say that it might be a combination of the two.
But anyway, we have a pretty good idea of who's a likely winner in most of the major Oscar categories, as a general consensus seems to have been reached. But there could still be a few surprises as far as nominations go, so I'm at least hoping for that.
My predictions after the jump...
The Social Network pretty much cleaned house this weekend at the Critics' Choice Awards and Golden Globes. It's getting to be a little absurd, actually, as this film has dominated nearly every substantial awards ceremony thus far. Have voters been succumbing to groupthink? Or is the film just simply that good? I would say that it might be a combination of the two.
But anyway, we have a pretty good idea of who's a likely winner in most of the major Oscar categories, as a general consensus seems to have been reached. But there could still be a few surprises as far as nominations go, so I'm at least hoping for that.
My predictions after the jump...
BFCA's Critics' Choice Awards Results & Analysis
Photo: VH1
Best Picture:
WINNER: "The Social Network" (my pick)
Best Director:
WINNER: David Fincher, "The Social Network" (my pick)
Best Actor:
WINNER: Colin Firth, "The King's Speech" (my pick)
Best Actress:
WINNER: Natalie Portman, "Black Swan" (my pick)
Best Supporting Actor:
WINNER: Christian Bale, "The Fighter" (my pick)
Best Supporting Actress:
WINNER: Melissa Leo, "The Fighter"
My pick: Amy Adams, "The Fighter"
Best Young Actor/Actress:
WINNER: Hailee Steinfeld, "True Grit"
My pick: Jennifer Lawrence, "Winter's Bone"
Best Acting Ensemble:
WINNER: "The Fighter"
My pick: "The Social Network"
Best Original Screenplay:
WINNER: David Seidler, "The King's Speech"
My pick: Christopher Nolan, "Inception"
Best Adapted Screenplay:
WINNER: Aaron Sorkin, "The Social Network" (my pick)
Best Cinematography:
WINNER: Wally Pfister, "Inception"
My pick: Roger Deakins, "True Grit"
Best Comedy:
WINNER: "Easy A" (my pick)
Best Action Movie:
WINNER: "Inception" (my pick)
More after the jump...
Best Picture:
WINNER: "The Social Network" (my pick)
Best Director:
WINNER: David Fincher, "The Social Network" (my pick)
Best Actor:
WINNER: Colin Firth, "The King's Speech" (my pick)
Best Actress:
WINNER: Natalie Portman, "Black Swan" (my pick)
Best Supporting Actor:
WINNER: Christian Bale, "The Fighter" (my pick)
Best Supporting Actress:
WINNER: Melissa Leo, "The Fighter"
My pick: Amy Adams, "The Fighter"
Best Young Actor/Actress:
WINNER: Hailee Steinfeld, "True Grit"
My pick: Jennifer Lawrence, "Winter's Bone"
Best Acting Ensemble:
WINNER: "The Fighter"
My pick: "The Social Network"
Best Original Screenplay:
WINNER: David Seidler, "The King's Speech"
My pick: Christopher Nolan, "Inception"
Best Adapted Screenplay:
WINNER: Aaron Sorkin, "The Social Network" (my pick)
Best Cinematography:
WINNER: Wally Pfister, "Inception"
My pick: Roger Deakins, "True Grit"
Best Comedy:
WINNER: "Easy A" (my pick)
Best Action Movie:
WINNER: "Inception" (my pick)
More after the jump...
Sunday
Golden Globes 2011: Results & Analysis
Photo: US Trends
Note: This is only a recap of the film winners
Best Motion Picture: Drama
WINNER: "The Social Network"
My pick: "The King's Speech"
Best Motion Picture: Comedy or Musical
WINNER: The Kids are All Right (my pick)
Best Director
WINNER: David Fincher, "The Social Network" (my pick)
Best Actor: Motion Picture Drama
WINNER: Colin Firth, "The King's Speech" (my pick)
Best Actress: Motion Picture Drama
WINNER: Natalie Portman, "Black Swan" (my pick)
Best Actor: Comedy or Musical
WINNER: Paul Giamatti, "Barney's Version"
My pick: Johnny Depp, "Alice in Wonderland"
Best Actress: Comedy or Musical
WINNER: Annette Bening, "The Kids are All Right" (my pick)
Best Supporting Actor
WINNER: Christian Bale, "The Fighter"
My pick: Geoffrey Rush, "The King's Speech"
Best Supporting Actress
WINNER: Melissa Leo, "The Fighter"
My pick: Helena Bonham Carter, "The King's Speech"
Best Screenplay - Motion Picture
WINNER: Aaron Sorkin, "The Social Network" (my pick)
Best Animated Film
WINNER: "Toy Story 3" (my pick)
Best Original Score
WINNER: Trent Reznor and Atticus Ross, "The Social Network"
My pick: Danny Elfman, "Alice in Wonderland"
More after the jump...
Note: This is only a recap of the film winners
Best Motion Picture: Drama
WINNER: "The Social Network"
My pick: "The King's Speech"
Best Motion Picture: Comedy or Musical
WINNER: The Kids are All Right (my pick)
Best Director
WINNER: David Fincher, "The Social Network" (my pick)
Best Actor: Motion Picture Drama
WINNER: Colin Firth, "The King's Speech" (my pick)
Best Actress: Motion Picture Drama
WINNER: Natalie Portman, "Black Swan" (my pick)
Best Actor: Comedy or Musical
WINNER: Paul Giamatti, "Barney's Version"
My pick: Johnny Depp, "Alice in Wonderland"
Best Actress: Comedy or Musical
WINNER: Annette Bening, "The Kids are All Right" (my pick)
Best Supporting Actor
WINNER: Christian Bale, "The Fighter"
My pick: Geoffrey Rush, "The King's Speech"
Best Supporting Actress
WINNER: Melissa Leo, "The Fighter"
My pick: Helena Bonham Carter, "The King's Speech"
Best Screenplay - Motion Picture
WINNER: Aaron Sorkin, "The Social Network" (my pick)
Best Animated Film
WINNER: "Toy Story 3" (my pick)
Best Original Score
WINNER: Trent Reznor and Atticus Ross, "The Social Network"
My pick: Danny Elfman, "Alice in Wonderland"
More after the jump...
Wednesday
Golden Globes Predictions
Photo: Next Movie
The Hollywood Foreign Press Association (HPFA) is composed of film journalists from all around the world who cover the United States film industry. I'm convinced that none of these people actually saw The Tourist, because it seems impossible for such a box office & critical bomb to land any type of nomination other than a Razzie. And Burlesque? Alice in Wonderland? Come on. The HPFA's seeming lack of credibility speaks for itself most years, but somehow they continue to produce a highly watched awards ceremony. I suppose it does make for a decent Oscar dress rehearsal.
Anyway, it looks like i'm going to have to take into account the HPFA's tendency to recognize middlebrow entertainment. I'm also going to assume that The King's Speech will fare better than The Social Network here, as foreign voters will probably really go for the british royalty shtick.
The Hollywood Foreign Press Association (HPFA) is composed of film journalists from all around the world who cover the United States film industry. I'm convinced that none of these people actually saw The Tourist, because it seems impossible for such a box office & critical bomb to land any type of nomination other than a Razzie. And Burlesque? Alice in Wonderland? Come on. The HPFA's seeming lack of credibility speaks for itself most years, but somehow they continue to produce a highly watched awards ceremony. I suppose it does make for a decent Oscar dress rehearsal.
Anyway, it looks like i'm going to have to take into account the HPFA's tendency to recognize middlebrow entertainment. I'm also going to assume that The King's Speech will fare better than The Social Network here, as foreign voters will probably really go for the british royalty shtick.
BFCA Critics' Choice Awards Predictions
The BFCA's 16th annual Critics' Choice Awards airs this Friday evening, representing the first of a string of televised award ceremonies all leading up to the Academy Awards in late February. Though this one has a tendency to slip under the radar a bit, it's important to note that it does hold some weight as a credible and foretelling awards ceremony. Being the first televised awards show of the season, it has a chance to really set the tone for the remaining heavyweights (Golden Globes, SAGs, etc.).
The Broadcast Film Critics Association (BFCA) is comprised of approximately 250 television, radio and online critics, making it the largest film critic organization in the United States. Unlike the AMPAS (Oscar voters), the BFCA is run by professional journalists who are obligated—and paid to—see every film that has a real chance of contention each year. And although the Academy is comprised of some of the most prestigious industry professionals, it's important to realize that these people simply do not get a chance to see every film each year. Also, since many Academy members are Hollywood insiders, it's possible for some bias and favoritism to skew voting results. Of course, this can also be true of the BFCA, but i'm thinking that it's probably much less of an issue. Critics are journalists, and they are expected to remain professional, critical, and as objective as possible.
Also, the BFCA didn't nominate The Tourist in any category this year, which automatically gives it more credibility than the Hollywood Foreign Press.
My predictions after the jump...
The Broadcast Film Critics Association (BFCA) is comprised of approximately 250 television, radio and online critics, making it the largest film critic organization in the United States. Unlike the AMPAS (Oscar voters), the BFCA is run by professional journalists who are obligated—and paid to—see every film that has a real chance of contention each year. And although the Academy is comprised of some of the most prestigious industry professionals, it's important to realize that these people simply do not get a chance to see every film each year. Also, since many Academy members are Hollywood insiders, it's possible for some bias and favoritism to skew voting results. Of course, this can also be true of the BFCA, but i'm thinking that it's probably much less of an issue. Critics are journalists, and they are expected to remain professional, critical, and as objective as possible.
Also, the BFCA didn't nominate The Tourist in any category this year, which automatically gives it more credibility than the Hollywood Foreign Press.
My predictions after the jump...
Tuesday
A Changing of the Guard
A growing trend of the last several awards seasons has been the increasing amount of recognition for new-school filmmakers such as David Fincher, Christopher Nolan, Danny Boyle, P.T. Anderson, Quentin Tarantino, Wes Anderson, David O. Russell, Darren Aronofsky, and others. All of these guys have been directing films for at least a decade, and a few of them are approaching twenty years of service in Hollywood, so I hesitate to refer to them as new-school, but it's certainly something of a new era in the grand scheme of things.
David Fincher's breakthrough film was 1995's Seven, and he followed that up four years later with Fight Club. Both films were received warmly by moviegoers and critics, but neither were nominated for any major awards. Skip ahead to 2011, and Fincher already has one Oscar nomination for his directorial work in 2008's The Curious Case of Benjamin Button. His new film, The Social Network, has been racking up all kinds of awards and nominations over the last month or two. To say that it's the frontrunner for Best Picture at the Oscars this year would be like saying that Charlie Sheen loves hanging with pornstars and doing coke... it's quite obvious.
Directors such as Danny Boyle, Chris Nolan and Tarantino have also been enjoying mainstream success over the last few years. Boyle dominated the Oscars in 2009 with Slumdog Millionaire, and Tarantino got a well-deserved directorial nomination for Inglorious Basterds last year. Chris Nolan pretty much single-handedly caused the AMPAS to expand their best picture field from five to ten films last year, as an overwhelming amount of The Dark Knight supporters voiced their dissent over the film's 2009 Oscar snub. Nolan did score a DGA nomination in 2009, however.
Monday
Directors Guild Nominees: 2011
This morning, the Directors Guild of America (DGA) announced their five nominees for Outstanding Directorial Achievement in Feature Film for 2010. For those who aren't aware, the DGA is a film and television labor union specializing in the interest of directors in the United States motion picture industry. This group is comprised of thousands of directors working in the film and television industry, including many big-name Hollywood directors and an overwhelming abundance of commercial & television directors. The DGA has been around since 1936, and this year marks the 75th anniversary of their annual awards ceremony.
To put this into some perspective, the DGA nominees are regarded by most Oscar pundits to be the biggest indicator of who and what films the AMPAS (Academy of Motion Picture Arts/Sciences, or simply Oscar voters) will recognize in the fields of Best Picture and Best Achievement in Direction. Historically, the AMPAS tends to mimic the DGA in their selections more so than any other guild, critics group, association, etc. In fact, over the years, DGA award winners have lined up with AMPAS directorial winners AND best picture winners at an astounding percentage (that of which I can't recall specifically, but i'm fairly positive that it's at least over 75%).
Both the DGA and AMPAS are comprised of industry professionals, though unlike the AMPAS, the DGA does not recieve DVD screeners from studios and distributors. This makes it a little less likely for small indie films to be recognized by the DGA, as voters might not get a chance to catch some of those films in theaters due to inadequate distribution.
More after the jump...
To put this into some perspective, the DGA nominees are regarded by most Oscar pundits to be the biggest indicator of who and what films the AMPAS (Academy of Motion Picture Arts/Sciences, or simply Oscar voters) will recognize in the fields of Best Picture and Best Achievement in Direction. Historically, the AMPAS tends to mimic the DGA in their selections more so than any other guild, critics group, association, etc. In fact, over the years, DGA award winners have lined up with AMPAS directorial winners AND best picture winners at an astounding percentage (that of which I can't recall specifically, but i'm fairly positive that it's at least over 75%).
Both the DGA and AMPAS are comprised of industry professionals, though unlike the AMPAS, the DGA does not recieve DVD screeners from studios and distributors. This makes it a little less likely for small indie films to be recognized by the DGA, as voters might not get a chance to catch some of those films in theaters due to inadequate distribution.
More after the jump...
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